TOM RILEY NEWS

Exciting news for Tom Riley fans. Tom's name has been added to the cast list for a play revival at the National Theatre in London: Dancing At Lughnasa. The production opens in previews on 6th April (the day after Tom's birthday). It will be wonderful to see Tom perform on stage again, especially directed by the brilliant Josie Rourke. Tom is listed as playing the character Gerry. 

Harvest time in County Donegal, 1936.

The 2018 Olivier Awards nominations are being announced right now, and Dry Powder has been nominated for Best New Comedy!! Fantastic news. Congratulations to all!

Tickets to the Olivier Awards are available to buy via this website. The awards will be held on Sunday 8th April 2018. 

Sending best wishes for the final 3 performances of Dry Powder at the Hampstead Theatre. The play closes tomorrow evening. According to the Official London Theatre website, Dry Powder is eligible to be nominated in the 2018 Olivier Awards, in the Best New Comedy category. Apparently nominations will be announced next week. 

The final week of Dr Powder at the Hampstead Theatre begins. And the Hampstead Theatre twitter account reminded followers that while every show is sold out, returns may be available for those desperate to see Tom Riley's brilliant performance as Seth.

Another great review for Dry Powder has been shared by some experts in the field Money Week. The sold-out play ends its run at the Hampstead Theatre on 3rd March.  

As Tom Riley shared a photo behind the scenes of Dry Powder on Instagram a couple of days ago, informing us that the rest of the show is sold out, today's Telegraph includes Dry Powder in its list of London theatre's best plays and shows on now. There are just 12 more performances of Dry Powder at the Hampstead Theatre. 

A wonderful new review for Dry Powder has been shared by Tablet Magazine. Read it in full on their magazine site. Dry Powder is only running at the Hampstead Theatre until 3rd March 2018.

In Anna Ledwich's fast, smart staging, the impeccable cast achieves the crucial one-two in a play about the business sector of not only sounding as if they know what they are talking about, but making it comprehensible to the audience as well.